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Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/19207
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dc.contributor.authorPavićević, Jovana-
dc.date.accessioned2023-10-30T11:42:43Z-
dc.date.available2023-10-30T11:42:43Z-
dc.date.issued2016-
dc.identifier.citationPavićević, Jovana. 2016. “Antonin Artaud’s Theatre of Cruelty and Its Legacy”. Etnoantropološki Problemi Issues in Ethnology and Anthropology 11 (4):1153-67. https://doi.org/10.21301/eap.v11i4.11.en_US
dc.identifier.issn0353-1589en_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/19207-
dc.description.abstractAntonin Artaud (1896–1948) is considered to be one of the most influential theatre practitioners in the 20th century although his theory has been deemed too abstruse. The aim of this paper is to offer a systematic account of Antonin Ar-taud’s concepts for his Theatre of Cruelty and the ways it influenced subsequent theatre practitioners, namely Peter Brook, Jerzy Grotowski and Eugenio Barbaen_US
dc.description.urihttps://eap-iea.org/index.php/eap/article/view/346/334en_US
dc.language.isosren_US
dc.publisherOdeljenje za etnologiju Filozofskog fakulteta u Beograduen_US
dc.relation178018: Društvene krize i savremena srpska književnost i kultura: nacionalni, regionalni, evropski i globalni okviren_US
dc.relation.ispartofEtnoantropološki problemi / Issues in Ethnology and Anthropologyen_US
dc.subjectArtauden_US
dc.subjectTheatre of Crueltyen_US
dc.subjectGrotowskien_US
dc.subjectEugenio Barbaen_US
dc.subjectPeter Brooken_US
dc.subjectHoly Theatreen_US
dc.titleArtoovo pozorište surovosti i njegovo nasleđeen_US
dc.title.alternativeAntonin Artaud’s Theatre of Cruelty and its Legacyen_US
dc.typearticleen_US
dc.description.versionPublisheden_US
dc.identifier.doi10.21301/eap.v11i4.11en_US
dc.type.versionPublishedVersionen_US
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