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https://scidar.kg.ac.rs/handle/123456789/15256
Назив: | INTERTEKSTUALNO ČITANjE DRAME „ŽUDNjA“ SARE KEJN |
Аутори: | Pavićević, Jovana |
Датум издавања: | 2022 |
Сажетак: | According to Aleks Sierz (2001: 118), Sarah Kane’s Crave needs four different reading strat- egies to fully uncover its meanings. This paper takes one of those strategies – an intertextual reading – to examine the play’s echoes of R. W. Fassbinder, Martin Crimp, and T. S. Eliot. Fassbinder’s play Pre-Paradise Sorry Now, Crimp’s play Attempts on Her Life, and Eliot’s poem The Waste Land enable Sarah Kane to combine materials – forms, sources, messages, sounds, dialogues and solos – into a complex dramatic structure that unsettles the plot-and-character conventions of realism. De-individualized characters, marked only by the letters A, B, C, and M, reveal the presence of Pre-Paradise Sorry Now and Attempts on Her Life – they allow Kane to use fragmentary lines of action to explore how power is organized and shared within a social group. The analysis shows that Eliot’s narrative poem The Waste Land is the principal influence that ‘guides Crave in both form and content’ (Saunders 2002: 102). In addition to the wasteland motif, Kane employs Eliot’s rhapsodic impulse to combine disparate patches of text and dramatic, epic and lyrical elements into a never-ending flow of voices. |
URI: | https://scidar.kg.ac.rs/handle/123456789/15256 |
Тип: | article |
DOI: | 10.46793/NasKg2251.319P |
ISSN: | 1820-1768 |
Налази се у колекцијама: | The Faculty of Philology and Arts, Kragujevac (FILUM) |
Датотеке у овој ставци:
Датотека | Опис | Величина | Формат | |
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NASLEDJE 51-319-332.pdf | 2.08 MB | Adobe PDF | Погледајте |
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