Groznice jedinstva Stanislava Vinavera

Abstract

The aim of this paper is to read Stanislav Vinaver’s essays and polemics within the theory of harmony - the ancient phenomenon in the world of literature as in the world of music, especially worshiped in Vinaver’s poetic universe. This morphologically different field of modern theoretical question that occupied modern Serbian poets, especially in the era of (neo)symbolism in the essays and poetry of Stanislav Vinaver establishes as cultural, spiritual and historical question within the theoretical evolution base of Henri Bergson. Therefore, the field of Jewish cultural themes rises in the opus of this writer as a intriguing field of anti-coherence.