Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/13409
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dc.rights.licenseBY-NC-ND-
dc.contributor.authorGojic, Jelena-
dc.date.accessioned2021-07-02T11:37:13Z-
dc.date.available2021-07-02T11:37:13Z-
dc.date.issued2020-
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/13409-
dc.description.abstractBrecht was one of the most influential theatre practitioners, playwrights, poets and filmmakers of the 20th century. In this paper we deal with one of his dramas, which was one of his early dramatic writings and which transparently portrays Brecht’s social engagement and his affection for the Communist Party. This drama shows the basic postulates of Marxist ideology and it has received little attention in Serbian scientific literature. This paper points to Brecht’s engagement in this didactic piece, with the support of the theoretical postulates of Shaw, Sartre, Foucault andAdrienne Rich. The aim of the paper is to show the development of the main character, Pelagea Wlassowa, who is undergoing such a transformation, which is inevitably accompanied by her activation in current socio-political events.en_US
dc.language.isosren_US
dc.publisherUniversity of Kragujevacen_US
dc.rightsopenAccess-
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/-
dc.sourceLipar, Journal for Literature, Language, Art and Cultureen_US
dc.subjectBrechten_US
dc.subjectsocio-political engagementen_US
dc.subject”Mother”en_US
dc.subjectMarxismen_US
dc.subjectepic theatreen_US
dc.subjectdidactic writingsen_US
dc.titleDRUŠTVENO-POLITIČKI PREOBRAŽAJ PELAGEE VLASOVE U DRAMI „MAJKA“ BERTOLTA BREHTAen_US
dc.title.alternativeSOCIO-POLITICAL TRANSFORMATION OF PELAGEA WLASSOWA IN BERTOLT BRECHT'S DRAMA „MOTHER”en_US
dc.typearticleen_US
dc.description.versionPublisheden_US
dc.identifier.doi10.46793/LIPAR71.083Gen_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

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