1. University of Kragujevac Digital Archive
  2. University of Kragujevac
  3. The Faculty of Philology and Arts, Kragujevac (FILUM)
Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/14083
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dc.rights.licenseBY-NC-ND-
dc.contributor.authorRadovanović, Saša Ž.-
dc.date.accessioned2022-02-07T13:02:52Z-
dc.date.available2022-02-07T13:02:52Z-
dc.date.issued2021-
dc.identifier.issn1820-1768en_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/14083-
dc.description.abstractThe analysis focuses upon The Matrix with reference to Heidegger’s understanding of technology and art. Such a correlation of film (art) and philosophy is established as a kind of neighborhood relationship. Due to the immediate approach through image, word symbol The Matrix demonstrates the thematic congeniality with the attitudes dealt with in the text The Question Concerning Technology. The film, being a product of specific technology is, at the same time, inherently poetic. It com- prises the potential for the genuine revealing of technological reality and delineates the saving power function of art in the age of technology.en_US
dc.language.isoenen_US
dc.publisherFaculty of Philology and Artsen_US
dc.rightsopenAccess-
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/-
dc.sourceNasledje, Kragujevacen_US
dc.subjectHeideggeren_US
dc.subjecttechnologyen_US
dc.subjectThe Matrixen_US
dc.subjectenframingen_US
dc.titleHEIDEGGER AND „THE MATRIX“en_US
dc.title.alternativeHAJDEGER I MATRIKSen_US
dc.typearticleen_US
dc.description.versionPublisheden_US
dc.identifier.doi10.46793/NasKg2150.241Ren_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

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