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Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/17852
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dc.contributor.authorLojanica, Marija-
dc.date.accessioned2023-05-26T11:37:13Z-
dc.date.available2023-05-26T11:37:13Z-
dc.date.issued2019-
dc.identifier.isbn978-86-80796-42-0en_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/17852-
dc.descriptionZbornik radova sa XIII međunarodnog naučnog skupa održanog na Filološko-umetničkom fakultetu u Kragujevcu (26–27. X 2018) Knjiga II : BEBEen_US
dc.description.abstractMethodologically speaking, the paper applies the deconstructive semiological analysis to three stories written by American authors: “Desiree’s Baby” by Kate Chopin, “Hills Like White Elephants” by Ernest Hemingway, and “Little Things” by Raymond Carver. Such an approach opened the following questions: the semiological status of babies in the mentioned texts, possible manifestations of the sign’s polysemy within the context of short American fiction, and, consequently, the validity of the claim that babies are the perpetual blind spot of the Western literary discourseen_US
dc.language.isosren_US
dc.publisherUniversity of Kragujevac, Faculty of Philology and Artsen_US
dc.rightsinfo:eu-repo/semantics/openAccess-
dc.sourceSRPSKI JEZIK, KNjIŽEVNOST, UMETNOST : Zbornik radova-
dc.subjectAmerican short fictionen_US
dc.subjectdeconstructionen_US
dc.subjectsignen_US
dc.subjectbabyen_US
dc.subjectChopinen_US
dc.subjectHemingwayen_US
dc.subjectCarveren_US
dc.titlePopularna semiotika: bebe u američkoj kratkoj prozien_US
dc.title.alternativePOPULAR SEMIOTICS: BABIES IN SHORT AMERICAN FICTIONen_US
dc.typeconferenceObjecten_US
dc.description.versionPublisheden_US
dc.type.versionPublishedVersionen_US
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