Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/18250
Full metadata record
DC FieldValueLanguage
dc.contributor.authorLazić, Katarina-
dc.date.accessioned2023-06-09T11:21:37Z-
dc.date.available2023-06-09T11:21:37Z-
dc.date.issued2023-
dc.identifier.issn1450-8338en_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/18250-
dc.description.abstractThe paper has primarily dealt with the concept of irony and parody in Ian McEwan’s novel Atonement and how the author made use of them. The theoretical frame hereby employed includes the following works: Linda Hutcheon’s Irony’s edge and A theory of parody and Dragan Stojanović’s Irony and meaning. Taking everything into account, the writing of Ian McEwan has represented a very fertile ground for the analysis from the perspective of irony and parody. Having in mind the nature and the extent of this work, only a limited number of examples has been employed, the fact that leaves room for some more thorough and comprehensive analysis.en_US
dc.language.isosren_US
dc.publisherUniversity of Kragujevac, Faculty of Filology and Artsen_US
dc.relation.ispartofLipar, časopis za književnost, jezik, umetnost i kulturuen_US
dc.rightsCC0 1.0 Universal*
dc.rights.urihttp://creativecommons.org/publicdomain/zero/1.0/*
dc.subjectironyen_US
dc.subjectparodyen_US
dc.subjectAtonementen_US
dc.subjectMcEwanen_US
dc.subjectHutcheonen_US
dc.subjectStojanovićen_US
dc.titleIRONIJA I PARODIJA U DELU „ISKUPLjENjE“ IJANA MEKJUANAen_US
dc.title.alternativeIRONY AND PARODY IN IAN MCEWAN’S ATONEMENTen_US
dc.typearticleen_US
dc.description.versionPublisheden_US
dc.identifier.doi10.46793/LIPAR80.255Len_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

Page views(s)

22

Downloads(s)

7

Files in This Item:
File Description SizeFormat 
Lipar 80-255-267.pdf127.99 kBAdobe PDFThumbnail
View/Open


This item is licensed under a Creative Commons License Creative Commons