Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/18276
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dc.contributor.authorStojanović, Aleksandra-
dc.date.accessioned2023-06-11T20:54:10Z-
dc.date.available2023-06-11T20:54:10Z-
dc.date.issued2021-
dc.identifier.citationСтојановић 2021: Хибридни идентитет queer Јевреја у драми Анђели у Америци Тонија Кушнера, у: Д. Бошковић, Ч. Николић (уред.), Српски језик, књижевност, уметност – Зборник радова са XV међународног научног скупа, Јевреји, књига II/1, Крагујевац: Филолошко-уметнички факултет, 351-362.en_US
dc.identifier.isbn978-86-80796-88-8en_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/18276-
dc.descriptionSrpski jezik, književnost, umetnost : zbornik radova sa XV međunarodnog naučnog skupa održanog na Filološko-umetničkom fakultetu u Kragujevcu (30-31. X 2020). Knj. 2/1, Jevreji / urednici Dragan Bošković, Časlav Nikolićen_US
dc.description.abstractThe paper aims to present the way queer identity overlaps with the Jewish identity, thus creating a type of hybridity to be found in characters such as Louise Ironson and Roy Cohn in Kushner’s play Angels in America. The Otherness of these characters may be seen through their belonging to two different marginalized groups. Although seemingly completely different, both are depicted as constantly searching for their place in the world in an illusory battle for a stable identity. The so-called gay plague in the 1980’s in America contributed to the destabilization of America’s national identity, providing a voice to the ex-centric identities. Society is deconstructed in the midst of a crisis and the identity of the protagonists is simultaneously being built and torn down. The identity of the Other is constituted by the culture in charge, that is, the American white Christian culture. Their power is established through discourse, based on which they strip minorities of their power. A belief in binary oppositions is replaced with an overall hybridity, which may be seen in the characters, as well as the structure of the play itself. Kushner utilizes split scenes and double casting to present the hybridity of his play. The protagonists are driven by a utopian impulse and ideas of a unified nation. The paper will thus attempt to present the (im)possibility of achieving unity on the protagonists’ path to redemption and their search for an identity that is wholeen_US
dc.language.isosren_US
dc.publisherUniversity of Kragujevac, Faculty of Philology and Artsen_US
dc.rightsinfo:eu-repo/semantics/openAccess-
dc.sourceSrpski jezik, književnost, umetnost : zbornik radova-
dc.subjectAngels in Americaen_US
dc.subjectKushneren_US
dc.subjectidentityen_US
dc.subjectJewsen_US
dc.subjectqueeren_US
dc.subjecthybridityen_US
dc.titleHibridni identitet queer Jevreja u drami Anđeli u Americi Tonija Kušneraen_US
dc.title.alternativeHYBRID IDENTITY OF QUEER JEWS IN TONY KUSHNER’S ANGELS IN AMERICAen_US
dc.typeconferenceObjecten_US
dc.description.versionPublisheden_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

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