Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/18312
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dc.contributor.authorStojanović, Aleksandra-
dc.date.accessioned2023-06-12T10:15:57Z-
dc.date.available2023-06-12T10:15:57Z-
dc.date.issued2022-
dc.identifier.citationСтојановић 2022: А. Стојановић, Учење после Аушвица: Холокауст у књижевности за децу на примеру романа Дечак у пругастој пиџами Џона Бојна, у: К. Мелић, М. Нешић Павковић, Д. Бошковић (уред). Холокауст, сећање, култура, Крагујевац, Филолошко-уметнички факултет, 255–266.en_US
dc.identifier.isbn978-86-80-596-13-6en_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/18312-
dc.descriptionZbornik je rezultat istraživanja u okviru Studija Holokausta koje se pod pokroviteljstvom Claims Conference (Conference on Jewish Material Claims Against Germany) izvode na Univerzitetu u Kragujevcu.en_US
dc.description.abstractТhe goal of the paper is to examine the significance of John Boyne’s novel The Boy in the Striped Pyjamas for Holocaust education, as well as its appropriateness and efficiency in transmitting the experience of the Holocaust to a younger audience. The paper is divided into three segments, all representing various perspectives of analysis that are necessary for the complete understanding of the novel. The research thus covers the ideological, ethical, and pedagogical perspectives. The ideological perspective, based on studies on ideology in children’s literature, will examine how the Nazi ideology is enforced throughout the novel. Bruno, the nine-year-old protagonist, believes that his father is a good man and that the concentration camps, which he does not even define as such, are harmless places. This is partly due to his age and childhood innocence. However, Bruno’s curiosity and investigative spirit lead him to re-examine the difference between himself and all of the men wearing “striped pyjamas.” Through the characters of Bruno and Shmuel, the Jewish boy, we notice Emanuel Levinas’s teaching about taking responsibility towards each other, as this is the only way to fight against inhumanity. Finally, the pedagogical aspects of the paper deal with some of the most common obstacles teachers face in Holocaust education and the benefits of using this novel. The subtitle of the novel represents it is a “fable of the Holocaust”, which implies a sort of moral lesson should be reached and emphasizes the educational nature of the work. The importance of writing and teaching Holocaust narratives is also emphasized as, according to Theodor Adorno, the proper education after Auschwitz is the only way to point to the danger of all types of discrimination and attempt to prevent an event such as the Holocaust from being repeateden_US
dc.language.isosren_US
dc.publisherUniversity of Kragujevac, Faculty of Philology and Artsen_US
dc.rightsinfo:eu-repo/semantics/openAccess-
dc.sourceHOLOKAUST, SEĆANjE, KULTURA (I)-
dc.subjectHolocausten_US
dc.subjectpedagogyen_US
dc.subjectethicsen_US
dc.subjectideologyen_US
dc.subjectchildren’s literatureen_US
dc.subjectJohn Boyneen_US
dc.subjectThe Boy in the Striped Pyjamasen_US
dc.titleUčenje posle Aušvica: Holokaust u književnosti za decu na primeru romana Dečak u prugastoj pidžami Džona Bojnaen_US
dc.title.alternativeLEARNING AFTER AUSCHWITZ: HOLOCAUST IN CHILDREN’S LITERATURE EXEMPLIFIED BY JOHN BOYNE’S NOVEL THE BOY IN THE STRIPED PYJAMASen_US
dc.typebookParten_US
dc.description.versionPublisheden_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

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