Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/18458
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dc.contributor.authorVasileva, Olja-
dc.date.accessioned2023-06-17T19:38:39Z-
dc.date.available2023-06-17T19:38:39Z-
dc.date.issued2013-
dc.identifier.issn1820-5305en_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/18458-
dc.description.abstractThe paper treats the phenomenon of the characters I in Meša Selimović's novel Death and the Dervish. Since the narration in the novel comes from the main characters perspective, the dissociation of his I is the testimony of the complexity of his worldview, most notably to the conflict between the principle of action and the principle of contemplation. Owing to the representation of the dissociation of the hero's consciousness, Selimović gained an opportunity to shed light from the modern perspective on the complexity and depth of ethical contradictions which stand as the fundamental feature of Ahmed Nuruddin's inner world.en_US
dc.language.isosren_US
dc.publisherUniversity of Belgrade, Faculty of Philologyen_US
dc.rightsinfo:eu-repo/semantics/openAccess-
dc.sourceGodišnjak Katedre za srpsku književnost sa južnoslovenskim književnostima-
dc.subjectnovelen_US
dc.subjectAhmed Nuruddinen_US
dc.subjectfateen_US
dc.subjectstream of consciousnessen_US
dc.subjectdisintegration of personalityen_US
dc.subjectDoppelgängeren_US
dc.titlePodeljeno "ja" u romanu "Derviš i smrt" Meše Selimovićaen_US
dc.title.alternativeThe dissociated I in Meša Selimović's novel Death and the Dervishen_US
dc.typearticleen_US
dc.description.versionPublisheden_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

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