Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/18528
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dc.contributor.authorRadovanović, Saša-
dc.date.accessioned2023-06-30T10:00:08Z-
dc.date.available2023-06-30T10:00:08Z-
dc.date.issued2022-
dc.identifier.citationRadovanović, S. Ž. (2022). Hajdeger - formiranje moderne estetike i umetnost kao pojava kulture. Sinteze - časopis za pedagoške nauke , književnost i kulturu, 22, 1-10. https://doi.org/10.5937/sinteze11-41959en_US
dc.identifier.issn2217-902Xen_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/18528-
dc.description.abstracthe paper analyzes Heidegger's views on aesthetics and art in the epoch of the new century. First, it is shown how Heidegger defines the general concept of aesthetics. Then the role of Descartes' philosophy in establishing the Being and the truth as a certainty in the epoch of the new century is shown. Modern aesthetics and art are formed within such a change of being and truth. In modern aesthetics, feeling and beauty are connected and taste, subjective judgment, is placed as a central concept. On the other hand, art is presented as a cultural phenomenon that distances itself from the Christian concept of art.en_US
dc.language.isosren_US
dc.publisherAkademija vaspitačko medicinskih strukovnih studija, Kruševacen_US
dc.relation.ispartofSintezeen_US
dc.subjectaestheticsen_US
dc.subjectarten_US
dc.subjectcultureen_US
dc.subjectMartin Heideggeren_US
dc.subjectRené Descartesen_US
dc.subjectbeingen_US
dc.subjecttruthen_US
dc.titleHajdeger - formiranje moderne estetike i umetnost kao pojava kultureen_US
dc.title.alternativeHeidegger: The formation of modern aesthetics and art as the appearance of cultureen_US
dc.title.alternativeХАЈДЕГЕР - ФОРМИРАЊЕ МОДЕРНЕ ЕСТЕТИКЕ И УМЕТНОСТ КАО ПОЈАВА КУЛТУРЕen_US
dc.typearticleen_US
dc.description.versionPublisheden_US
dc.identifier.doi10.5937/sinteze11-41959en_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

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