Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/18638
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dc.contributor.authorPetrovic, Aleksandar-
dc.date.accessioned2023-07-17T09:39:14Z-
dc.date.available2023-07-17T09:39:14Z-
dc.date.issued2007-
dc.identifier.citationПетровић, А. Ж. (2007). О МИМЕЗИ: (ОД ПЛАТОНОВЕ ПЕЋИНЕ ДО ТАМНЕ КОМОРЕ). Наслеђе, 4(8), 17–24.en_US
dc.identifier.issn1820-1768en_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/18638-
dc.description.abstractPaper considers meaning of the Platonic notion of mimesis and its historical development in the context of Luis Daguerre’s invention of photography and Steven Spielberg’s precognitive moving pictures.en_US
dc.language.isosren_US
dc.publisherUniversity of Kragujevac, Faculty of Philology and Artsen_US
dc.rightsinfo:eu-repo/semantics/openAccess-
dc.sourceNASLEĐE: časopis za književnost, jezik, umetnost i kulturu-
dc.subjectPlatonen_US
dc.subjectmimezisen_US
dc.subjectumetnosten_US
dc.subjectfotografijaen_US
dc.subjectStiven Spilbergen_US
dc.titleO MIMEZI : OD PLATONOVE PEĆINE DO TAMNE KOMOREen_US
dc.title.alternativeOn mimesis: From Plato's cave to the dark chamberen_US
dc.typearticleen_US
dc.description.versionPublisheden_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

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