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Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/18675
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dc.contributor.authorVasileva, Olja-
dc.date.accessioned2023-07-25T08:13:44Z-
dc.date.available2023-07-25T08:13:44Z-
dc.date.issued2022-
dc.identifier.issn2812-765Xen_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/18675-
dc.description.abstractThe aim of this paper is a new reading of Voja Caric’s poetry within the new aesthetic codes such as the history of art beneath the poets approaches to history of literature and Serbian poetry for children in 50’s. The origin of poets visual elements lies in his inclination towards the two opposite poetic models in modern theory of children’s literature: a new, lyrical mixture between the epic signals, myth and oral tradition on one side and modern temporality based on polyphony on the other side.en_US
dc.language.isosren_US
dc.publisherBeograd: Institut za dečju književnosten_US
dc.relationMPNTR - 451-03-68/2022-14/200198en_US
dc.relation.ispartofGodišnjak Instituta za dečju književnosten_US
dc.subjectpoeticsen_US
dc.subject(arch)pictureen_US
dc.subjectfutureen_US
dc.subjectchilden_US
dc.subjectpoweren_US
dc.subjectrideren_US
dc.subjecttimeen_US
dc.title"Plameni jahači" Voje Carićaen_US
dc.typearticleen_US
dc.description.versionPublisheden_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

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