Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/18685
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dc.contributor.authorBožanić, Zoran-
dc.date.accessioned2023-07-26T07:02:32Z-
dc.date.available2023-07-26T07:02:32Z-
dc.date.issued2008-
dc.identifier.citationBožanić, Z. (2008). On Taneyev's musical engagement and counterpoint research. Nasleđe, Kragujevac , 5(11), 133-147.en_US
dc.identifier.issn1820-1768en_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/18685-
dc.description.abstractSergei Ivanovich Taneyev's artistic and scientific engagement was to greatly influence the development of the Russian musical culture. His opus contains various genres reflecting a wide specter of influences - ranging from the Renaissance Traditions to the artistic tendencies of his time. Taneyev was a pianist as well, whose performance, besides bearing the qualities of a virtuoso and that of extreme musicality, is also to be attributed a rational component. He greatly contributed to the development of higher music education in Russia of the time. Taneyev's scientific engagement deserves special attention. His research of the Renaissance vocal polyphony yielded the following works: Imitative Counterpoint in Strict Style and Sequel on Canon where a fully developed theoretical system of imitative counterpoint was meticulously constructed.en_US
dc.language.isosren_US
dc.publisherUniversity of Kragujevac, Faculty of Philology and Artsen_US
dc.relation.ispartofNASLEĐE: časopis za književnost, jezik, umetnost i kulturuen_US
dc.subjectSergej Ivanovič Tanjejeven_US
dc.subjectkompozicijaen_US
dc.subjectpijanizamen_US
dc.subjectpedagogijaen_US
dc.subjectteorija pokretnog kontrapunktaen_US
dc.titleO muzičkoj delatnosti Tanjejeva i njegovom istraživanju kontrapunktaen_US
dc.title.alternativeOn Taneyev's musical engagement and counterpoint researchen_US
dc.typearticleen_US
dc.description.versionPublisheden_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

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