Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/18725
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dc.contributor.authorKanački, Valerija-
dc.date.accessioned2023-08-04T09:19:41Z-
dc.date.available2023-08-04T09:19:41Z-
dc.date.issued2009-
dc.identifier.citationКаначки, В. (2009). ФУНКЦИЈЕ МОТИВА У СОНАТАМА ЗА ВИОЛИНУ И КЛАВИР Л. В. БЕТОВЕНА. Наслеђе, 6(14/1), 205–2011en_US
dc.identifier.issn1820-1768en_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/18725-
dc.description.abstractMotive relations in Violin Sonatas of L.V. Beethoven, is possible to see through four treatment: 1. thematic plan build up from different motifs; 2. realization of themathicism from one motif; 3. existing few motifs, with a predominant one; 4. concatenating of non-equivalent motifs. Quoted motive treatments have been considered through one typical pattern, while the rest of them are distributed in suggested classification.en_US
dc.language.isosren_US
dc.publisherUniversity of Kragujevac, Faculty of Philology and Artsen_US
dc.rightsinfo:eu-repo/semantics/openAccess-
dc.sourceNASLEĐE: časopis za književnost, jezik, umetnost i kulturu-
dc.subjectmotiven_US
dc.subjectenergijaen_US
dc.subjectsintaksaen_US
dc.subjecttematski planen_US
dc.subjectKrojcerova sonataen_US
dc.titleFunkcije motiva u Sonatama za violinu i klavir L. V. Betovenaen_US
dc.title.alternativeThe function of motifs in Ludwig Van Beethoven's Sonata for Violin and Pianoen_US
dc.typearticleen_US
dc.description.versionPublisheden_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

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