Ружење ружног или театар трагичног смеха

Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/19208

Full metadata record

DC Field	Value	Language
dc.contributor.author	Pavićević, Jovana	-
dc.date.accessioned	2023-10-30T11:50:34Z	-
dc.date.available	2023-10-30T11:50:34Z	-
dc.date.issued	2011	-
dc.identifier.isbn	978-86-85991-34-9	en_US
dc.identifier.uri	https://scidar.kg.ac.rs/handle/123456789/19208	-
dc.description.abstract	The paper investigates the correlation between the tragic and the comic, determining the role of comedy as a socially engaged form and the comic as a theatrical dominant in the age of transition. The aforementioned is explored by using the examples of the plays performed in Knjaževsko-srpski Teatar in Kragujevac¸ at JoakimFest, the festival of the best theatrical performances as per domestic authors.	en_US
dc.language.iso	sr	en_US
dc.publisher	Univerzitet u Kragujevcu, Filološko-umetnički fakultet	en_US
dc.rights	info:eu-repo/semantics/openAccess	-
dc.source	Društvene krize i (srpska) književnost i kultura	-
dc.subject	comedy	en_US
dc.subject	JoakimFest	en_US
dc.subject	transition	en_US
dc.title	Ружење ружног или театар трагичног смеха	en_US
dc.title.alternative	Ружење ружног или театар трагичног смеха	en_US
dc.title.alternative	SCOLDING THE UGLY OR THE THEATRE OF TRAGIC LAUGHTER	en_US
dc.type	article	en_US
dc.description.version	Published	en_US
dc.type.version	PublishedVersion	en_US
Appears in Collections:	The Faculty of Philology and Arts, Kragujevac (FILUM)

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