Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/19387
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dc.contributor.authorPavićević, Jovana-
dc.date.accessioned2023-11-13T10:54:00Z-
dc.date.available2023-11-13T10:54:00Z-
dc.date.issued2012-
dc.identifier.isbn978-86-85991-48-6en_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/19387-
dc.description.abstractThe paper tends to analyze the phenomenon of socially engaged theatre in relation to political activism of the Belarus Free Theatre which is focused on the efforts to promote and direct social and political change in Belarusen_US
dc.description.urihttps://plus.cobiss.net/cobiss/sr/sr/bib/514617774en_US
dc.language.isosren_US
dc.publisherUniverzitet u Kragujevcu, Filološko-umetnički fakulteten_US
dc.rightsinfo:eu-repo/semantics/openAccess-
dc.sourceEgzil(anti): književnost, kultura, društvo-
dc.subjectSlobodno belorusko pozorišteen_US
dc.subjectHarold pinteren_US
dc.subjectdramski angažmanen_US
dc.titleSlobodno pozorište Belorusije – povlašćeno mesto egzilanataen_US
dc.title.alternativeСлободно позориште Белорусије – повлашћено место егзиланатаen_US
dc.title.alternativeBELARUS FREE THEATRE – ТHE PRIVILEGED EXILESen_US
dc.typeconferenceObjecten_US
dc.description.versionPublisheden_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

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