1. University of Kragujevac Digital Archive
  2. University of Kragujevac
  3. The Faculty of Philology and Arts, Kragujevac (FILUM)
Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/19503
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dc.contributor.authorPavićević, Jovana-
dc.date.accessioned2023-11-28T18:54:00Z-
dc.date.available2023-11-28T18:54:00Z-
dc.date.issued2014-
dc.identifier.isbn978-86-85991-69-1en_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/19503-
dc.description.abstractCilj ovog rada je da preispita doprinos Brehtovog postupka začudnosti u oblikovanju savremenog scenskog izraza i da ponudi tumačenja termina začudnost u kontekstu ruske formalističke škole i drugih tradicija kao mogućih uzora u formulisanju Brehtove dramaturgije.en_US
dc.language.isosren_US
dc.publisherUniversity of Kragujevac, Faculty of Philology and Artsen_US
dc.rightsinfo:eu-repo/semantics/openAccess-
dc.sourceUskrsnuće književnosti: 100 godina Ruskog formalizma-
dc.subjectостранениеen_US
dc.subjectVerfremdungseffekten_US
dc.subjectdezautomatizacijaen_US
dc.titleDezautomatizacija i otuđenje u savremenom pozorištuen_US
dc.title.alternativeEAUTOMATIZATION AND ALIENATION IN CONTEMPORARY THEATREen_US
dc.typearticleen_US
dc.description.versionPublisheden_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

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