Poezija i postmoderne politike apokalipse

Abstract

Considering that, according to Frederick Jameson, postmodernism is not an epoch, but a cultural logic of late capitalism, based on deconstruction, difference, plurality, radical cessation of knowledge, etc., and that Western culture is fascinated by ends, edges - the death of God, man, history, narration, world, nature, subject, author, literature, the apocalyptic tone of speech becomes one of the key places in the practice of postmodern consciousness. Fukuyama’s announcement of the death of Marxism as the death of history and the announcement of liberal democracy as the end point of ideological evolution was marked as ’good news’. In addition to the fact that apocalyptic speech is a death sermon (Wolfgang Welsh), the biblical term internally confirms the work of the ideological unconscious, and, as Derrida points out, the apocalypse itself is actually a product of ideology, it exists only as the absence of the apocalypse, as the end without end. The truth is behind death, and to tell the truth means to die - without the end of the world there is no truth, without the end of the world there is no God. If seeing God means to die, the question that the paper will raise is: does singing God mean dying?