Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/20125
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dc.contributor.authorPavićević, Jovana-
dc.date.accessioned2024-01-30T10:08:57Z-
dc.date.available2024-01-30T10:08:57Z-
dc.date.issued2017-
dc.identifier.issn1450-8338en_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/20125-
dc.description.abstractThe paper seeks to explore the value of silence in theatre and the language of silence, pause and “second degree dialogue” in the works of Maeterlinck, Ibsen, Strindberg, Beckett, Pinter, Caryl Churchill and Sarah Kane.en_US
dc.language.isosren_US
dc.publisherUniverzitet u Kragujevcuen_US
dc.rightsinfo:eu-repo/semantics/openAccess-
dc.sourceLipar, časopis za književnost, jezik, umetnost i kulturu-
dc.subjectsilenceen_US
dc.subjectpauseen_US
dc.subjectbeaten_US
dc.subjectstasisen_US
dc.subject“dialogue of the second degree”en_US
dc.subjectperformanceen_US
dc.titleU potrazi za tišinom u pozorištuen_US
dc.title.alternativeIN SEARCH OF SILENCE IN THEATREen_US
dc.typearticleen_US
dc.description.versionPublisheden_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

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