Apocalyptic Narratives in Anglo-American Theatre from Berkoff’s Greek to Ridley’s Eclipse

Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/20242

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DC Field	Value	Language
dc.contributor.author	Pavićević, Jovana	-
dc.contributor.editor	Lojanica, Marija	-
dc.contributor.editor	Bošković, Dragan	-
dc.date.accessioned	2024-02-09T08:01:55Z	-
dc.date.available	2024-02-09T08:01:55Z	-
dc.date.issued	2020	-
dc.identifier.isbn	978-86-80796-65-9	en_US
dc.identifier.uri	https://scidar.kg.ac.rs/handle/123456789/20242	-
dc.description.abstract	The paper considers several texts (Berkoff’s Greek, Bond’s trilogy, The War Plays, Rosenthal’s L.O.W. in Gaia, Kushner’s Angels in America, Butterworth’s The Night Heron, Ridley’s Mercury Fur and Eclipse, Washburn’s Mr. Burns, and Churchill’s Escaped Alone), written for Anglo-American theatre between 1980 and 2020 to analyse how the rhetoric of decadence and renovation changes with the turn of the millennium.	en_US
dc.language.iso	en	en_US
dc.publisher	Univerzitet u Kragujevcu, Filološko-umetnički fakultet	en_US
dc.rights	info:eu-repo/semantics/openAccess	-
dc.source	Doomsday: Sedmi pečat	-
dc.subject	drama	en_US
dc.subject	theatre	en_US
dc.subject	narrative	en_US
dc.subject	apocalypse	en_US
dc.subject	end	en_US
dc.subject	crisis	en_US
dc.subject	renewal	en_US
dc.subject	apocalyptic imagination	en_US
dc.subject	apocalyptic discourse	en_US
dc.title	Apocalyptic Narratives in Anglo-American Theatre from Berkoff’s Greek to Ridley’s Eclipse	en_US
dc.type	article	en_US
dc.description.version	Published	en_US
dc.type.version	PublishedVersion	en_US
Appears in Collections:	The Faculty of Philology and Arts, Kragujevac (FILUM)

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