Lirska pantomima ili basna in vivo

Abstract

As well as visual, mosaic or rebus-poetry in the books Poezija koja se gleda (Poetry that is seen), Slik kovnica (Image mint) ili Deponija (Landfill), even the book Dekamoron (Decamoron) does not give up the lyrical tact of all kinds of counterfactuality through the way the writer enters into a dialogue with the morphology of the fable. Organized in the manner of Boccaccio, with a sense of the Decameron, in ten cycles of ten each multimedia stories, these short stories that offer one answer to the question of what a fable can do, they are told equally in time and space. At that time, when the split between deconstruction and reconstruction is less and less seen, the hidden Boccaccio from the title of the Đurđev's book is here to reveal another reality to the reader. It refers exactly to the time plane of "Boccaccio's fable", because each cycle of the book Decamoron is implicit organized in time.