Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/23309
Full metadata record
DC FieldValueLanguage
dc.contributor.authorKandić, Milica-
dc.date.accessioned2026-09-29T12:54:21Z-
dc.date.available2026-09-29T12:54:21Z-
dc.date.issued2026-
dc.identifier.issn1450-8338en_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/23309-
dc.descriptionIstraživanje sprovedeno u radu finansiralo je Ministarstvo nauke, tehnološkog razvoja i inovacija Republike Srbije (Ugovor o prenosu sredstava za finansiranje naučnoistraživačkog rada istraživača na akreditovanim visokoškolskim ustanovama u 2026. godini broj:451-03-33/2026-03/ 200198).en_US
dc.description.abstractPrimarily, this paper aims to point out the environmental poetics through which other important aspects of the novel are revealed, such as ecological perspectives, the poetics of nature (through various landscapes), and ecofeminism. Barbara Kingsolver places great emphasis on the theme of ecofeminism, which is particularly noticeable in the characterization of the female protagonists – three women who serve as the bearers of the most significant stances on nature protection and environmental conservation. On the other hand, they are contrasted by antipodean male characters responsible for the exploitation of the land and alienation from nature. The analysis of environmental poetics, as one of the novel’s central themes, helps to reveal and observe other disciplines, such as biology (and even biochemistry), geography, and ecology, which are also present and intertwined with literature. It is precisely here that the correlation between the natural, social, and human sciences is observed; their synergy makes this novel exceptionally important because it essentially contains a message about interrelations – the idea that everything is connected, whether it be a material or immaterial part of nature. The novel and all its aspects that we will examine – which unfold before us as readers – encourage us to interpret and understand the various ways in which nature can communicate with the audience. This includes sensory, animalistic, and corporeal aspects where the characters draw closer to life in the wild, as well as to animals, insects, and the earth as entities with which they are in daily contact.en_US
dc.language.isosren_US
dc.publisherUniverzitet u Kragujevcu, Filološko-umetnički fakulteten_US
dc.relation.ispartofLipar, časopis za književnost, jezik, umetnost i kulturuen_US
dc.rightsCC0 1.0 Universal*
dc.rights.urihttp://creativecommons.org/publicdomain/zero/1.0/*
dc.subjectnovelen_US
dc.subjectBarbara Kingsolveren_US
dc.subjectpro-environmental behavioren_US
dc.subjectnatureen_US
dc.subjectenvironmental poeticsen_US
dc.subjectecologyen_US
dc.subjectliteratureen_US
dc.subjectinterrelationsen_US
dc.titlePOETIKA ŽIVOTNE SREDINE U ROMANU „BUJNO LETO“ BARBARE KINGSOLVERen_US
dc.title.alternativeTHE ENVIRONMENTAL POETICS IN BARBARA KINGSOLVER’S NOVEL PRODIGAL SUMMERen_US
dc.typearticleen_US
dc.description.versionPublisheden_US
dc.identifier.doi10.46793/LIPAR90.231Ken_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)


Files in This Item:
File Description SizeFormat 
Lipar 90 ZA STAMPU-231-243.pdf214.04 kBAdobe PDFView/Open


This item is licensed under a Creative Commons License Creative Commons