Plač ili esejistički post scriptum Borislava Radovića

Abstract

The picture of Doomsday in modern interpretation of an essayist and Serbian poet in the era of neosimbolism means a high level of irony, but also a metaphoric journey to time when poet and his patron established a relationship on which whole (even modern) literature rised. Borislav Radovic with his different book of essays draws a specific hermeneutic forms of cry balanced between masterpieces of Homer and Vergilie, on one side and essayists own reminiscences in genre-pictures “Man in War”. The form and many meanings of cry are shawn through two main poetic distinctions – as a literary pause and lyric hipostase in the same time.