Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/18469
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dc.contributor.authorVasileva, Olja-
dc.date.accessioned2023-06-17T21:16:17Z-
dc.date.available2023-06-17T21:16:17Z-
dc.date.issued2021-
dc.identifier.isbn978-86-80796-89-5en_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/18469-
dc.description.abstractThe aim of this paper is to read Stanislav Vinaver’s essays and polemics within the theory of harmony - the ancient phenomenon in the world of literature as in the world of music, especially worshiped in Vinaver’s poetic universe. This morphologically different field of modern theoretical question that occupied modern Serbian poets, especially in the era of (neo)symbolism in the essays and poetry of Stanislav Vinaver establishes as cultural, spiritual and historical question within the theoretical evolution base of Henri Bergson. Therefore, the field of Jewish cultural themes rises in the opus of this writer as a intriguing field of anti-coherence.en_US
dc.language.isosren_US
dc.publisherUniversity of Kragujevac, Faculty of Philology and Artsen_US
dc.rightsinfo:eu-repo/semantics/openAccess-
dc.sourceSrpski jezik, književnost, umetnost : zbornik radova-
dc.subjectcultureen_US
dc.subjectharmonyen_US
dc.subjectJewsen_US
dc.subjectessayen_US
dc.subjecttechnique of responses compoundsen_US
dc.titleGroznice jedinstva Stanislava Vinaveraen_US
dc.title.alternative“FEAVRES OF UNITY” BY STANISLAV VINAVERen_US
dc.typeconferenceObjecten_US
dc.description.versionPublisheden_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

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