Please use this identifier to cite or link to this item: https://scidar.kg.ac.rs/handle/123456789/9774
Full metadata record
DC FieldValueLanguage
dc.rights.licenseopenAccess-
dc.contributor.authorStanković, Vladimir-
dc.contributor.authorVlašković Ilić, Biljana-
dc.date.accessioned2021-04-20T12:16:18Z-
dc.date.available2021-04-20T12:16:18Z-
dc.date.issued2019-
dc.identifier.issn1451-673Xen_US
dc.identifier.urihttps://scidar.kg.ac.rs/handle/123456789/9774-
dc.description.abstractThis paper deals with methods and forms of the negation of culture in Ray Bradbury’s novel Fahrenheit 451. The novel presents the development and change of the main protagonist Guy Montag. By analyzing his developmental path, the paper has shown that mass culture tends to replace high culture on both individual and collective level. In Bradbury’s novel, the various forms of mass culture, like television, create the false feelings of happiness and replace thinking with entertainment, which endangers high culture. The goal of the cultural interpretation of the novel is to point out that high culture can survive in spite of constant strivings to minimalize its presence and to reduce its effects, which can be perceived in our contemporary society.en_US
dc.language.isosren_US
dc.publisherFaculty of Education in Jagodinaen_US
dc.rightsinfo:eu-repo/semantics/openAccess-
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/-
dc.sourceUzdanicaen_US
dc.subjectFarenhajt 451en_US
dc.subjectkulturaen_US
dc.subjectkulturna industrijaen_US
dc.subjectosećanjaen_US
dc.titleNEGACIJA KULTURE U ROMANU FARENHAJT 451 REJA BREDBERIJAen_US
dc.title.alternativeNEGATION OF CULTURE IN RAY BRADBURY’S FAHRENHEIT 451en_US
dc.typearticleen_US
dc.description.versionPublisheden_US
dc.type.versionPublishedVersionen_US
Appears in Collections:The Faculty of Philology and Arts, Kragujevac (FILUM)

Page views(s)

490

Downloads(s)

12



This item is licensed under a Creative Commons License Creative Commons